In “Beyond the Wall,” the younger Mormont refuses to take the sword and insists that it remain in Jon’s possession, which gives Jon the means to kill even more “bloody dead men” once they face off against the Night King and his Snow Miser minions. Related StoriesĮverything to Know About the Night King, White Walkers, and Wights “Bloody dead man tried to kill me,” the elder Mormont says. When did we see Jeor first put that sword in Jon’s hands? In “Baelor,” when he rewards Jon for saving his life from a reanimated wight. During their journey to the other side of the Wall, Jon attempts to give his Valyrian steel sword to his new compatriot in White Walker fighting, Jorah Mormont, whose father, former Lord of the Night’s Watch Jeor Mormont, gave it to Jon years earlier. (Poignancy, and also dragons, and also White Walkers bursting into tiny pieces.) Recognizing the callbacks and parallels between “Beyond the Wall” and “Baelor” adds more layers to this hour-plus of television, and in some cases, even gives it a touch of poignancy. Weiss and directed by frequent helmer Alan Taylor.
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But there were some subtle things about it, particularly the ways in which it hearkened back to season one’s “ Baelor.” Like “Beyond the Wall,” the penultimate episode of GOT’s first season was written by series creators David Benioff and D.B. It was a blockbuster episode that, like so much of GOT’s seventh season, catapulted forward at a brisk pace with all the subtlety of a sword on fire.
In the tradition of penultimate Game of Thrones episodes, Sunday night’s “ Beyond the Wall” devoted a huge chunk of its running time to an epic battle that unfolded in tense, violent fashion while also raising the question: “Jesus, how much did this cost?”
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